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James Andrew
Alex Collier
Bob Dean
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Norio
Hayakawa
Peggy Kane
George
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Jim Nichols
Wendelle C. Stevens
Donald
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Arizona
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Tempe,
Arizona November 16-19, 2007
National and International Events
Giant
Rock, California April 21-22, 2007
Big Island
Hawaii May 11-13, 2007
McMinnville,
Oregon May 18-19, 2007
Sydney,
Australia June 2-3, 2007
Roswell, New Mexico
July 5-8, 2007
Dundee, Wisconsin
Jul 21, 2007
Glastonbury,
England July27-29 2007
Denver, Colorado
August 10-12, 2007
San Francisco,
California August 25-27, 2007
Rotorua,
New Zealand September 29-30, 2007
Las Vegas, Nevada
November 9-11, 2007
Laughlin, Nevada late
February-early March, 2008
Aztec, New Mexico
late March, 2008
Eureka Springs, Arkansas
mid-April, 2008
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Under-Appreciated Science Productions
promotes our local charitable organizations.
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Favorite Photos
Page 2

Filming during the 10th Annual Aztec Symposium (2007)
Rick filming at the Aztec Crash Site, joined by
Maritza Keefe, Wendelle Stevens, Bill Brophy Jr. and
local Aztec resident Brook Marshall

Filming during the 10th Annual Aztec Symposium (2007)
Norio Hayakawa, in the Aztec area while gathering
testimonies regarding the Farmington Flyover of 1950,
attends the Meet The Authors Event, and later elaborates
in an interview regarding two leading UFO investigative authors:
lead author William Steinman of UFO Crash At Aztec
and co-author and publisher Wendelle Stevens

The 10th Annual Aztec Symposium (2007)
Wendelle and Maritza share a laugh near the
Behind The Flying
Saucers (paperback cover) poster,
the book that in 1950 broke the sobering story to
the world
of a crashed UFO near Aztec, New Mexico by a soon-to-be
beleaguered author for "Variety" magazine, Frank
Scully

Frank Scully
One of several honorable men who
sacrificed more than their careers and income to bring out
the Aztec UFO Crash story to a truth-starved world,
including whistleblowers Silas Newton, LeoGebauer, Carl Heiland,
Paul Bennewitz, William Steinman and Wendelle Stevens

The 10th Annual Aztec Symposium (2007)
Travis Walton, Wendelle and Rick discuss how to prevent
losing control of one's story and a film's message
to the corporate media empires
Favorite
Photos
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